#Final cut pro titles pixelated update
#Final cut pro titles pixelated mac

In the past, reframing each clip in a project for a new aspect ratio could be a tedious process.

With Final Cut Pro, you can now repurpose projects that have standard horizontal aspect ratios, such as those for film or TV, to create deliverables in all shapes and sizes, including square or vertical. For a lot of us, this now means we need to also create multiple versions of a project in different aspect ratios. Video clips on social media platforms and websites often are shown in a variety of aspect ratio, such as square or vertical, for playback in an app or on the web. Third-party tools such as review and approval app frame.io can also generate and deliver proxies to a Final Cut Pro library. The latest proxy engine allows you to create a proxy-only copy of your library to share locally or via the cloud and displays original media if proxies aren’t available. To help maximize portability and performance you can now create proxy copies of your media (as low as 1/8 size) in ProRes Proxy or H.264. Just how much better Final Cut Pro’s performance will be when running it on a new Apple Silicon laptop will be interesting to see.

Includes built-in support for Avid DNxHR and Avid DNxHD decoding and playback.

Fixes an issue in which copying stills between libraries would result in duplicate files.

Improves reliability when using onscreen Crop controls in the viewer.

Improves reliability with Social Media content positioning when using Smart Conform to switch between vertical and horizontal frame sizes.

Fixes an issue in which audio sync could drift when retiming clips.

Improves stability when applying stabilization and color balance during import.

Improves reliability when creating proxy media from non-square pixel interlaced clips.

Fixes an issue in which chapter markers were not available when sharing.

#Final cut pro titles pixelated update

Fixes an issue in which audio waveforms would not update in the inspector after adding a filter or making a volume change.

Improves reliability when previewing built-in sound effects in the browser.

Improves the appearance of HDR thumbnails in the browser and timeline.

Fixes an issue in which LUTs were not available in optimized or proxy clips.

Export HLG high-dynamic-range projects with Dolby Vision 8.4 metadata for optimized playback on Apple devices.

Option to create a copy of your library and automatically transcode media to ProRes Proxy or H.264 at various resolutions.

#Final cut pro titles pixelated mac

Accelerated machine learning analysis for Smart Conform using the Apple Neural Engine on Mac computers with Apple silicon.

Improved performance and efficiency on Mac computers with Apple silicon.Final Cut Pro also gains new features that take advantage of the ‌Apple Silicon‌ Neural Engine. This is not any kind of huge update to Final Cut Pro, however, it does add improved performance and efficiency when using Mac computers with Apple Silicon. We have no idea why Apple has decided to get rid of the X given this is version 10.5 and not 11. Apple has updated Final Cut Pro to version 10.5 and dropped the X from the name.